For fundamental contributions to the development of digital video systems and continued technical leadership over four decades. Kellar has been a leader in the development of many innovative tools for the video industry. He holds numerous patents on many fundamentals and applications of digital technology including still stores, compositing systems, standards converters, and graphics systems. His inventions of new image processing techniques were instrumental in developing a series of products that redefined capabilities and workflows in television production and post production.
For development of the first reliable video/audio scrambling system for composite analog video and analog audio in the early 1980s. This system digitized the analog signal, scrambled it, and reconstructed an analog signal which could be transmitted over satellite or microwave links with complete security. The system was granted a Canadian and a US patent.
Barry G. Haskell
For his contributions to the digital transmission and coding of images over a 44-year career. Dr. Haskell has published over seventy technical papers and has over 125 patents. He is the author or co-author of three books, including one of the foundational books on MPEG. Dr. Haskell managed the compression research group at Bell Labs, making major contributions to the MPEG standards, and followed that at Apple Computer, where his research team made significant contributions to the H.264/AVC Standard.
R. Norman Hurst
In recognition of his invention of methods for splicing MPEG-2 Transport Streams, the development of test bitstreams for evaluating video and audio compression equipment performance, and the development of electronic test patterns that enable evaluation of video encoding and processing systems through visual observation of the outputs they produce. The impact of these inventions has been felt in broadcasting, cable and satellite distribution, in the consumer electronics industry and in production, post-production and networking, in each case advancing the state of the art of the industry.
For his pioneering work in creating computer-generated digital special effects. For over 30 years, he contributed to the development of high-speed film scanners and recorders, created computer generated images, and created concepts to enable high quality image compression, and image processing and formats for high definition and beyond.