Digital Processing Medal Recipients

The Digital Processing Medal, established in 2012, recognizes significant technical achievements related to the development of digital processing of content for cinema, television, games, or other related media.

2019: Gary J. Sullivan


In recognition of his innovation and industry leadership in image and video compression. Sullivan has been one of the most instrumental figures in video codec standards development, chairing the Joint Video Team for the development of H.264 / MPEG-4 AVC, the Joint Collaborative Team on Video Coding for the development of High-Efficiency Video Coding (HEVC), and the Joint Video Experts Team currently developing the Versatile Video Coding (VVC) standard. Sullivan was also a key contributor to the standardization of JPEG XR and SMPTE VC-1. The codecs developed under Sullivan’s leadership have contributed to numerous new content creation and distribution ecosystems.  

Tim Borer

For his significant contributions in the areas of image processing, particularly motion-aware video frame-rate conversion and video compression algorithms, including techniques used in phase correlation-based frame interpolation. Borer led the video compression team that developed the Dirac Pro compression system that subsequently became the SMPTE VC-2 standard. Most recently, Borer led the development of the Hybrid Log-Gamma (HLG) HDR television system. He holds 20 patents in the field of digital video processing.

Michael A. Isnardi

For his contributions to the art of digital video delivery systems, including video encoding, re-encoding, and quality evaluation. Isnardi's body of work includes one of the first advanced television systems proposals, encoder, compressed-domain watermarking the first real-time Motion Picture Experts Group (MPEG), Emmy® Award-winning MPEG Compliance Bitstreams, compressed-domain bit rate reduction, salience-based compression, and JND evaluation of JPEG 2000 for digital cinema applications. His current work includes sub-Nyquist compressed sensing and skin-tone analysis algorithms.

Paul Kellar
For fundamental contributions to the development of digital video systems and continued technical leadership over four decades.  Kellar has been a leader in the development of many innovative tools for the video industry.  He holds numerous patents on many fundamentals and applications of digital technology including still stores, compositing systems, standards converters, and graphics systems.  His inventions of new image processing techniques were instrumental in developing a series of products that redefined capabilities and workflows in television production and post production.

Stan Moote

For development of the first reliable video/audio scrambling system for composite analog video and analog audio in the early 1980s.  This system digitized the analog signal, scrambled it, and reconstructed an analog signal which could be transmitted over satellite or microwave links with complete security.  The system was granted a Canadian and a US patent.

Barry G. Haskell

For his contributions to the digital transmission and coding of images over a 44-year career.  Dr. Haskell has published over seventy technical papers and has over 125 patents.  He is the author or co-author of three books, including one of the foundational books on MPEG.  Dr. Haskell managed the compression research group at Bell Labs, making major contributions to the MPEG standards, and followed that at Apple Computer, where his research team made significant contributions to the H.264/AVC Standard.

R. Norman Hurst

In recognition of his invention of methods for splicing MPEG-2 Transport Streams, the development of test bitstreams for evaluating video and audio compression equipment performance, and the development of electronic test patterns that enable evaluation of video encoding and processing systems through visual observation of the outputs they produce. The impact of these inventions has been felt in broadcasting, cable and satellite distribution, in the consumer electronics industry and in production, post-production, and networking, in each case advancing the state of the art of the industry.

Gary Demos

For his pioneering work in creating computer-generated digital special effects. For over 30 years, he contributed to the development of high-speed film scanners and recorders, created computer-generated images, and created concepts to enable high-quality image compression, and image processing and formats for high definition and beyond.