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Color Managed Workflows

Instructor-Led Course June 10, 2024
Member: $149.00
Non-Member: $349.00

Instructor - Dado Valentic

A world-renowned color scientist who has trained and consulted Google, YouTube, Dolby, WB Studios, Univision, Comedy Central, HBO, CBS, Adobe, Activision, and NBC Universal, Electronic Arts, Disney just to name a few. His work on the series Marco Polo for Netflix is considered one of the earliest examples of proper HDR workflows in the industry. 

 Dado not only works in the industry but also maintains a vast training program and online community. His training program was developed at the initiative of the British Film Institute and is now considered the reference on the topics covered. He has been invited  to be a guest lecturer at major Film Educational Institutions such as the London International Film School, NY Film Academy, UPGrade Berlin, International Colorist Academy, Moscow International Film School, Dutch Nation Film and Television School, Australian National Film School, SAE Oxford, Glasgow University, REDucation and many more. 

Guided by the technological advances of color management, Dado has been working with major studios and streaming providers to deliver content to streaming centers, such as Netflix, Amazon, Apple+, HBO Max, Hulu and Disney+ and others, following the requirements and directives of the key industry standards (SMPTE ST 2084 and ITU-R Rec.2100) that guide and recommend use of High Dynamic Range and Wide Gamut. 


 

Course Overview

This course is a comprehensive study of color management techniques for digital motion picture
productions. High impact techniques, taught in this course, have the potential to elevate image quality, accelerate post-production and enable productions to deliver simultaneously to SDR and HDR display devices. Participants will learn how to get the most out of modern digital cameras and be able to take full control over the image. You will learn how to deploy various color management techniques to a whole spectrum of productions, from live transmissions to high-end feature film shows. As a bonus module, we focus on cinematographers and how they can best manage color-managed workflow and set the right level of expectation from their DITs, Dailies Colorist, Supervising Colorist, and Color Scientist.
By the end of this course, participants will have full knowledge and techniques, and gain practical experience of how to control their look using digital tools available today.
 
Prerequisites:
Participants should have some experience with production and digital image processing.

Learning Objectives

  • Understand the digital image processing path from the film set to final delivery
  • Describe the process of Color Management that greatly improves, accelerates, and automates digital image processing
  • Use theoretical and practical knowledge of color management in film and TV productions, focusing on standard, advanced and ACES color management models
  • Design color management pipelines based on multi- format, SDR/HDR delivery requirements
  • Collaborate remotely while preserving image consistency and creative intent